The music of Nikolai Kapustin has made a minor flurry in the classical music His Eight Etudes, Op, partake of the 19th-century tradition of the concert-etude . The compositions of Nikolai Kapustin (born ) are almost all for piano, either solo or 1 “Sonata-Fantasy” for piano (); Op. Eight Concert Etudes for piano (). No. 1 in C major “Prelude”; No. 2 in A-flat major “Reverie”; No. The two sets of etudes included in this study are Kapustin’s Eight Concert Etudes, op. 40 () andFive Etudes in Different Intervals, op. 68 (). These two.
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The two sets of etudes included in this study are Kapustin’s Eight Concert Etudes, op. Four Pieces for instrumental ensemble Op. Sonatina for piano Op. Concerto for alto-saxophone and orchestra Op.
Twenty-four Preludes and Fugues for piano Op. Sonata for flute and piano Op. Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all oapustin and from all periods from the twelfth century to the twenty-first. Scherzo for piano and orchestra Op. Fantasia for jazz quartet Op. Included in Music Commons. Recommended with unquenchable enthusiasm!
Tonwiederholungen springen von einem Register zum anderen und erinnern an die wohlerzogenen Synkopen aus Gershwins Rhapsody etues Blue.
Toccatina for piano Op. Dialogue for solo piano Op. Suite In the Old Style for piano Op.
All in all, one of the most enjoyable piano discs I have heard in ages. Concerto for double-bass and symphony orchestra Op. Violin Concerto Op. Concert for violin, piano and string orchestra Op. Sleight of Hand for piano solo Op. Nearly Waltz for cello and piano Op. His compositional brilliance is a profound addition to piano literature and deserves to be fully recognized and preserved for the future. Scherzo for piano Op. Elegy for orchestra Op. Suite for viola, alto-saxophone, piano and bass Op.
Variations on “Sweet Georgia Brown” for viola, alto-saxophone, piano and bass Op. March for orchestra Op. Three Pieces for orchestra Op. Intermezzo for piano and orchestra Op. Burlesque for cello and piano Op. Fantasia for piano Op. Five Etudes in Different Intervals for piano Op.
The lack of thorough research and related literature on his works, combined with the difficulty of obtaining his compositions in the West, make this study relevant and a pertinent start to shed more light on the composer and make his works more approachable for contemporary pianists and jazz connoisseurs alike.
Countermove for piano solo Op. Holy Cow for piano solo Op. Humoresque for piano Op. Introduction and Rondo for piano teudes Op. Triptych for two pianos, four hands Op. Eight Concert Etudes for piano No. Andante for piano Op. Sonata for viola and piano Op. Seven Polyphonic Pieces for piano the left hand Op.
Suite for piano four pieces for piano Op. Piece for string quartet “The Last Attempt” Op. Two Etude-like Trinkets for piano Op.
Archived from the original on The compositions of Nikolai Kapustin born are almost all for pianoeither solo or accompanied. Paraphrase on Dizzy Gillespie’s “Manteca” for two pianos, four hands Op.